This work is grounded in a personal theory the Ultra Slow Accident — a form of emotional breakdown that unfolds not through sudden trauma, but through slow, almost invisible change over time.The sculpture features a series of handblown glass vessels arranged in a form reminiscent of a body or vascular system. Each vessel contains honey in a different state — liquid, darkened, crystallised — along with one containing coconut oil, a material that shifts in response to temperature but carries no sweetness. These materials reflect how emotions persist, adapt, or harden under pressure.

The piece reflects on how emotional experiences become sealed within different stages of life — early love, family expectations, social roles — often remaining unprocessed but ever-present. Over time, these stages accumulate inside us like deposits: still present, but no longer in motion.By combining bodily structure with material transformation, the work invites viewers to consider how emotional residues are shaped by time, structure, and the ways we carry unresolved states forward — long after they’ve changed.